This was from last week in Joshua Tree. It was a new moon, so my goal was Deep Space Astro with my tracker and long lens, but as mentioned in my Timelapse, I also set up 2 cameras to shoot timelapses all night long while I was working the Deep Space.
This shot is taken from just one of the frames in the middle of my Timelapse. What's awesome with the timelapse is I can kill 2 birds with one stone.
I can get a complete timelapse, and then just pull out whatever frame suits me to process individually for a stand alone shot.
An Evening with the Milky Way | Focal World
This is a single image, processed once for the ground and then once for the sky, and I just blend the two parts of the same image back together. Despite it being a new moon, what's awesome with shooting with a fast f1.8 lens like the Sigma 14mm f1.8 is it just let's in so much light!
ISO 3200
25 seconds
f2
For those curious, I will include a straight out of camera image to show just how well lit the foreground is with the f1.8. Now I wasn't shooting with a canyon before me like Ben recently did, so I had to my advantage that my ground layer was all above ground.
Straight out of the camera, simply converted to a jpg.
Final image, very minimal work, after the blend it was just a bit of the warp tool on the ground layer to help correct for a bit of the WA distortion.
This shot is taken from just one of the frames in the middle of my Timelapse. What's awesome with the timelapse is I can kill 2 birds with one stone.
An Evening with the Milky Way | Focal World
This is a single image, processed once for the ground and then once for the sky, and I just blend the two parts of the same image back together. Despite it being a new moon, what's awesome with shooting with a fast f1.8 lens like the Sigma 14mm f1.8 is it just let's in so much light!
ISO 3200
25 seconds
f2
For those curious, I will include a straight out of camera image to show just how well lit the foreground is with the f1.8. Now I wasn't shooting with a canyon before me like Ben recently did, so I had to my advantage that my ground layer was all above ground.
Straight out of the camera, simply converted to a jpg.
Final image, very minimal work, after the blend it was just a bit of the warp tool on the ground layer to help correct for a bit of the WA distortion.