More Christmas Meadows. (+ edit)

JimFox

Moderator
Staff member
Really cool work Ben. With my being on the road so much it’s been hard for me to add any constructive comments. I do like the progression and changes I see.
 

Ben Egbert

Forum Helper
Staff member
Kyle thanks for sticking with me. I am going to study moon phases and Milky way positions for some various interesting local places.

I also compared the 5DSr noise at 6400 versus Nikon 850 and Canon R5D. I did not see enough difference to sway me, it looks like a faster lens is the real deal that and some natural ambient light. I was really surprised at how bright the Milky way was in my first images above with some residual daylight.
 

Kyle Jones

Moderator
I still feel like the 5DSR is about a stop worse in low light than my 6D was. For me the issue was less about the random noise associated with high ISO than it was about purple color blooms and lines I was getting in the darkest areas. But that said, I had no trouble getting night sky images that I really liked with the 5DSR.

I think you are on the right path. No camera/lens is going to take a great photo where there is no light. If you want detail in the landscape then you need light. Options for that include taking a separate shot in twilight for the ground, adding light yourself, shooting with some moonlight available, or doing a really really long exposure to collect enough light from the stars. Jim and I both seem to be in the camp of trying to time our night shots for when there is a crescent moon available to light the landscape. Next Saturday, for instance, looks like a great opportunity and I plan to shoot the Milky Way over Hidden Lake in Glacier. If I have clear skies and can avoid a bear attack it should be fantastic.

Fast glass really does help. Going from f/4 to f/2.8 saves you a full stop of ISO noise. With your current gear, I'd try to make use of that 24-70 a lot, especially since I like the way the MW look at 24mm. With a small investment, the Samyang/Rokinon 14 f/2.8 does a really nice job for wider angles, although for a little more money (should the bug really get you) the Rokinon SP 14 f/2.4 is a much nicer lens and for a lot more money the Sigma 14 1/8 that Jim uses gathers a huge amount of light.
 

Ben Egbert

Forum Helper
Staff member
Thanks Kyle for the tips. I will start with what I have and go for natural illumination first and like you, I like the 24mm look. Just getting the core instead of a full arc works for me.

I took a look at the Sigma 24 f1.4, pretty price and I don't have other needs for that speed. I would need to decide if I was going for mirrorless first as they don't currently have an R mount, and I would not want to invest that money in an EF mount if I later change.
 
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