Walking on Water

AlanLichty

Moderator
I got a nice view of an Egret that was just about to land at a new fishing spot on Salmon Creek yesterday. I liked the convergence of the egret, the water, its shadow, and the reflection. It almost looked like the egret wa standing on the water surface with its feet not quite touching the water yet.

CR5m2_WaterWalker011925.jpg


C&C always welcome.
 

AlanLichty

Moderator
Great timing Alan! It does almost look like it's standing there.
Thanks Jim - these birds have a really slow descent compared to ducks and geese. I have a string of 4 shots before this frame starting with the bird's feet about a foot over the water and 6 more after it touches the water but isn't quite standing on the bottom yet. This was the frame where the feet were the closest but not quite touching yet. Ducks and geese almost skid when they land and kick up rooster tails of water behind them while this egret barely even made a ripple landing. Likely much better for not disturbing potential lunch.
 

Trent Watts

Well-Known Member
Nice one Alan. Nothing like “sticking the landing” when you are an Egret. Looks like the new equipment combined with a master photographer is giving you great results.
 

AlanLichty

Moderator
Nice one Alan. Nothing like “sticking the landing” when you are an Egret. Looks like the new equipment combined with a master photographer is giving you great results.
Thanks Trent - it's fun scrolling through how they land and especially how they use their wings to almost float out of the air in slow motion. I have never had a camera that could do something like this before its a new learning experience for me.
 

AlanLichty

Moderator
Quite a compelling image Alan. You are putting your new gear to up your game quite nicely.
Thanks Jameel - this is making trips to my local marsh a lot more fun than what I could do with my old DSLRs. I wasn't quite sure how much I would use the action modes of this camera body when I got it but now I'm hooked.
 

AlanLichty

Moderator
Picking the best photo out of so many is time-consuming, but worth it. Superb photo, Alan
Thanks Eric - so true about picking through the pile. Between the flight from near where I was to where this egret ended up I have well over 200 RAW images. For Sunday's 1/2 hour shooting session I ended up with just over 2500 images. I have now whittled that down to just over 300.

I wish I had a button I could quickly press that told the camera "shoot the next image as a single shot and then immediately switch back to continuous shooting". That way I could take a single image and be ready to shoot an action sequence immediately after that. Things tend to happen fast in a marsh environment like this place. I can do this in menus but that takes too long when I need the switch to be done and ready to shoot in a second or two. The end result is that I end up with 15-25 images to cull when I just wanted a quick portrait of a single scene that didn't have any action going on. Very very different from Landscape photography.
 

Trent Watts

Well-Known Member
Thanks Eric - so true about picking through the pile. Between the flight from near where I was to where this egret ended up I have well over 200 RAW images. For Sunday's 1/2 hour shooting session I ended up with just over 2500 images. I have now whittled that down to just over 300.

I wish I had a button I could quickly press that told the camera "shoot the next image as a single shot and then immediately switch back to continuous shooting". That way I could take a single image and be ready to shoot an action sequence immediately after that. Things tend to happen fast in a marsh environment like this place. I can do this in menus but that takes too long when I need the switch to be done and ready to shoot in a second or two. The end result is that I end up with 15-25 images to cull when I just wanted a quick portrait of a single scene that didn't have any action going on. Very very different from Landscape photography.
Does the Cannon have programmable buttons Alan? My Om-1 will allow what you are talking about. Might be in the menu somewhere??
 

AlanLichty

Moderator
Does the Cannon have programmable buttons Alan? My Om-1 will allow what you are talking about. Might be in the menu somewhere??
I think it does and I need to spend some more quality time with the manual (only 1200 pages long) to see how close I can come to what I want. My dream would be a button that says make this one a single shot and then immediately revert to continuous but I think one button for each mode is about as close as I might be able to get. There is a control ring on the lenses that can be used for shortcuts but it's limited to some specific functions like changing shutter speed and f/stops and not fully reprogrammable.
 

AlanLichty

Moderator
Does the Cannon have programmable buttons Alan? My Om-1 will allow what you are talking about. Might be in the menu somewhere??
Turns out I can customize buttons but the way Canon has set up the interface for the drive mode is with an on-screen/viewfinder menu that shows the drive options for you to choose from. I can program a button to bring that menu up on the screen but I don't have the ability to program a button for one of those specific menu items without chasing through the menu choices. What I would like is a button that lets me press and immediately be in high speed fps mode.

When interesting things happen in the local marsh where I have been shooting you were either ready to shoot the second things start happening or you have missed the shot. At the moment the best approach seems to be to leave it in high speed mode and just get used to tossing a lot of duplicate captures. Sure glad this isn't film :)
 

Jameel Hyder

Moderator
Staff member
I thing the closest you can get to what you want is to use custom modes (C1, C2, ...).. Back in the 5D series world, there is a physical dial to switch. They went backwards with the R5 in having to go with a mode button and wheel option.
 

AlanLichty

Moderator
I thing the closest you can get to what you want is to use custom modes (C1, C2, ...).. Back in the 5D series world, there is a physical dial to switch. They went backwards with the R5 in having to go with a mode button and wheel option.
I already have two profiles set up in C1 and C2. When you start digging into the weeds with how to set up all of the AF options it can take quite a bit of time to get the settings tweaked the way you want to use the camera and for me the bird photo stuff is a world apart from my usual landscape fare.

C1 is set up for shooting things that are moving fast with full servo AF with AI subject recognition set for animals and birds. High speed drive with Pre-continuous shooting activated, 1/2000s, wide open f/stop, and auto ISO. I am skipping over a lot more esoteric settings I garnered from youTube videos by some serious wildlife photographers who have this camera.

C2 is for landscape photography and is set up for how I like to work with landscape and seascape scenes. Not that far off what I was doing with my old 5D MkIV. Single shot drive with f/8, 1/80s, ISO Auto, and spot metering. A much simpler configuration than C1.

I have some shots showing a sequence of some serious chaos in the marsh for Winged Wednesday that demonstrate why you really can't take the time to switch modes. You need to point and shoot as quickly as possible.
 
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